The inauguration on May 2, 2022 of the personal library of Mario de Andrade
The inauguration on May 2, 2022 of the personal library of Mario de Andrade in the National Center of Archives in Luanda (Angola). Both daughters have deposited into the Angolan
Sambizanga and Monanagambeee presented in Luanda (Angola- May 2022)
In the mark of “Luanda – capital of culture” (CPLP), two films of Sarah Maldoror has been presented by her daughters Annouchka de Andrade and Henda Ducados in Luanda. An
Sarah Maldoror – Desobedoc 2022
Sarah Maldoror featured in this years Desobedoc 2022 Cinema festival This year, we return to the Trindade Cinema, open since 1917 and now back in full operation. Between 22 and
Sarah Maldoror: Between Surrealism and Tigritude
Three films explore Sarah Maldoror’s revolutionary take on cinema and her ties with Surrealist literature and the Négritude movement Organised to coincide with Tate’s exhibition Surrealism Beyond Borders, Tate and
Sarah Maldoror – Cinéma Tricontinental (Palais de Tokyo)
Sarah Maldoror: Tricontinental Cinema is the first exhibition dedicated to the work of Sarah Maldoror (1929-2020). It offers a chance to discover her cinematographic work and how she has been
Cinema and freedom: the retrospective of Sarah Maldoror’s legacy at IndieLisboa, in Lisbon
Filmmaker Sarah Maldoror raises her voice again, for so many people who remain silent, during our next edition. IndieLisboa – International Film Festival and Cinemateca Portuguesa present her cinematographic work
Rest in Power, Sarah Maldoror (1929-2020)
The Screen Worlds team would like to express our most heartfelt gratitude to the pioneering filmmaker Sarah Maldoror, who passed away in Paris this week from Covid-19 complications. Sarah was
Woman With a Weapon-Camera – The New Inquiry
Woman With a Weapon-Camera On the work of Sarah Maldoror By YASMINA PRICE – AUGUST 27, 2020 SARAH Maldoror was a voice for history. I borrow this phrase from Euzhan Palcy, a
Sight and Sound article
IN MEMORIAM – SARAH MALDOROR Though her name remains unfamiliar to most, the Frenchborn filmmaker’s work is central to postcolonial African cinema. By Sukhdev Sandhu It was only in her